Saturday, December 24, 2011

Ebook iPad : une anthologie interactive sur l?automobile

Road Inc Pyrolia ebooks IDBOOXRoad Inc. Est une encyclop?die interactive sur l?automobile. Publi?e par Pyrolia, cette application iPad est faite pour les passionn?s de voitures. Ce livre num?rique enrichi offre une perception en 3D de 50 mod?les de l?gende et d?un grand nombre d?objets manipulables.

Avant sa sortie sur iPhone pr?vue pour 2012, cette application iPad propose une interface enti?rement intuitive,?associ?e ? une documentation in?gal?e comprenant de nombreux extraits vid?o (films, interviews, reportages, etc.) en 5 langues. Les contenus sont impressionnants par leur qualit? et leur nombre?: plus de 50 heures de programmes, 50 reconstitutions 3D, 75 extraits vid?os, 500 photographies Studio, 3,000 documents d?archive, 500 fac-simil?s, 150 extraits sonores, 50 bandes originales, et 200 feuillets de texte in?dits r?dig?s par une ?quipe d?historien et d?experts de l?automobile.
Road Inc est ? 0.99? pour les f?tes au lieu de 7.99?, un petit prix pour plusieurs heures de plaisir !

Moi, c?est l?Aston Martin D85 que je pr?f?re et vous??

D?couvrez d?autres livres num?riques enrichis

A lire aussi :

Source: http://www.idboox.com/ebook/actu-ebook/ebook-ipad-une-anthologie-interactive-sur-l-automobile/

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Friday, December 23, 2011

Yearly Ketchup: The Freshest Developments of 2011

The year that was 2011 is coming to an end, and so it's time to look back at the biggest news items of the year (and say "Welcome!" to Roland Emmerich's favorite year). This retrospective is in lieu of actual weekly movie news, which there isn't much of around Christmas. This is also a chance to look forward, as most of the movies that were announced in 2011 are still in our collective futures. And so, here are twelve "Fresh Development" movie news items from the past year, one for each month, that also represent some of the biggest upcoming movies of the next few years (ie, this list is a combination of movies that might be "Fresh" and those that might be box office hits as well).

The Freshest Developments of 2011

JANUARY: BATMAN'S NEW VILLAINS IN THE DARK KNIGHT RISES ARE REVEALED

Nearly a year later, the world just last week got its first glimpse of Catwoman and Bane in The Dark Knight Rises, along with all of the confusion and online debate about what exactly Bane says. It's nice to see that the teacher from Peanuts is still getting work. That so much time separates the revelation of who Anne Hathaway and Tom Hardy are playing, and our first images of them in motion, is yet another reminder of how long it takes to get these big budget superhero movies on the big screen.

FEBRUARY: HENRY CAVILL IS KAL-EL, AKA CLARK KENT, AKA SUPERMAN, AKA THE MAN OF STEEL

Legendary Pictures, Warner Bros and director Zack Snyder didn't actually start filming The Man of Steel until August, but in February, we learned who exactly would be the new Superman. Fans of Showtime's The Tudors knew who he was, but at that point, with the trailer for Immortals still a few months away, most fans had to Google Cavill's name to get an idea of what he even looked like. The casting of Superman himself was just the biggest news item in a year that saw plenty of other articles devoted to The Man of Steel. By the number of actors cast in recognizable roles, it was obvious that The Man of Steel was going to have a massive ensemble cast. Among the others cast this year were Amy Adams as Lois Lane, Russell Crowe as Jor-El, Lawrence Fishburne as Perry White, Michael Shannon as General Zod, and Diane Lane and Kevin Costner as Ma and Pa Kent. Unfortunately, 2012 will come and go and we still will not have seen this movie, as it's not currently scheduled for release until June 14, 2013.


MARCH: QUENTIN TARANTINO'S DJANGO UNCHAINED REVEALED

As much press as was devoted to the casting of The Man of Steel, this next movie probably received double the attention in 2011. And yet, as recently as March, the world didn't even know for sure that director Quentin Tarantino's next movie would be a "Spaghetti Western" set in the American South during the days of slavery. Indeed, at that point, we didn't even know the title would be Django Unchained, much less that the cast would include Jamie Foxx, Leonardo DiCaprio, Samuel L. Jackson, Joseph Gordon-Levitt and Kurt Russell. Nope, until then, only Christoph Waltz, the breakout star from Inglourious Basterds, was mentioned as being cast (as he eventually was). Unlike The Man of Steel, we will indeed (almost) have an idea what the fuss was all about by this time next year, as The Weinstein Company has scheduled Django Unchained for December 25, 2012.


APRIL: JEREMY RENNER COMPLETES HIS FRANCHISE TRIFECTA WITH THE BOURNE LEGACY

The Hurt Locker may have made big Oscar news in early 2010, but Jeremy Renner continued to surf on that film's buzz (and that of his own performance, obviously) well into 2011. In April, having already locked major roles in The Avengers and Mission: Impossible - Ghost Protocol, Jeremy Renner achieved the rare distinction of being cast in three major action film franchises. And he did it by taking over a franchise previously associated with just one actor, Matt Damon, because the movie in question is at Universal Pictures, and it's called The Bourne Legacy. Rather than replacing Matt Damon directly as Jason Bourne, Jeremy Renner will be playing an entirely different agent trained by the same Treadstone operatives. Frequent Bourne screenplay adaptor (and director of Duplicity and Michael Clayton) Tony Gilroy is directing The Bourne Legacy, and the film's cast also includes Rachel Weisz, Joan Allen, Albert Finney, Scott Glenn and Stacy Keach. Universal Pictures is currently scheduling The Bourne Legacy for August 3, 2012.


MAY: KATHRYN BIGELOW LUCKS OUT AS OSAMA BIN LADEN'S LUCK RUNS OUT

Sometimes, people are just in the right place at the right time. This year, in the case of director Kathryn Bigelow (The Hurt Locker), it was a case of being smart and/or lucky enough to be developing exactly the right movie. The world learned on May 2nd of the death of terrorist leader Osama bin Laden, and within 24 hours, the world also knew of Bigelow's plans for a movie called (at the time) Kill Bin Laden. Rather than having to compete with a gaggle of other filmmakers all racing to make a movie about Osama bin Laden's death, Kathryn Bigelow already had a script and a production pretty much ready to start. All that had to be changed in Bigelow's story of Navy SEALS looking for OBL was the third act, in which the raid on his compound is actually executed. Bigelow's project (which was also picked up by Sony Pictures) hasn't yet started filming, but the actors reportedly in talks to costar in the ensemble cast include Tom Hardy (Bane from The Dark Knight Rises), Guy Pearce (Memento), Idris Elba (Heimdall in Thor), and Rooney Mara (The Girl with the Dragon Tattoo). It's a good bet that Sony Pictures probably hopes to get this currently untitled military thriller in theaters by this time in 2012.


JUNE: THE COEN BROS' NEXT MOVIE WILL BE A FOLK MUSICAL BIOPIC

As much as Quentin Tarantino was in the news this year, 2011 also marked the beginning of production for the Coen Bros on their next movie, and for the most part, people sort of ignored it. This is hardly a new thing for the Coens, who are often able to make their movies in relative obscurity, although that doesn't entirely make sense, given their impressive track record (Fargo, The Big Lebowski, No Country for Old Men, True Grit, etc). It was in late June this year that it was first revealed that the Coens will next be working on a 1960s folk music biopic (loosely) based upon the memoirs of the late Dave van Ronk. That project is now known by the title Inside Llewyn Davis, and the cast includes John Goodman, Justin Timberlake, and Carey Mulligan, with Oscar Isaac (Sucker Punch, Drive) as the title character.


Mike Medavoy
JULY: MOVE OVER, OSAMA; ONE OF THE TOP NEWS STORIES OF 2010 GETS ITS OWN MOVIE AS WELL: THE CHILEAN MINERS

Although it might seem like Hollywood is perpetually stuck in a cycle of remakes and sequels, the art of the true story (and/or biopic) is still alive. Big deal producer Mike Medavoy (Black Swan, Zodiac) proved that in July by securing an agreement to make a movie based upon the true story of the 33 Chilean miners trapped in the Copiapo copper and gold mine in 2010. Medavoy moved quickly, hiring screenwriter Jose Rivera (The Motorcycle Diaries, Trade) to adapt the miners' stories. There hasn't since been any news in the five months since about who might direct this project, but given the awareness of the miners' experience, it is likely to remain a top priority for Medavoy and Rivera for 2012 as well.


AUGUST: BLADE RUNNER 2 PROVES THAT ALIEN ISN'T THE ONLY OLD SCIENCE FICTION PROPERTY RIDLEY SCOTT IS REVISITING

Just a few hours before this column was written this week, 20th Century Fox finally revealed the first teaser trailer for Prometheus, the new science fiction from director Ridley Scott. Previously referred to as a prequel to Alien, this new film still has much about it (including the graphics of the title) that hint at its connection to the Aliens franchise. In August, we learned of Ridley Scott's plans to return to the other 1980s science fiction title that was a big reason he became a fan favorite. The movie in question is, of course, Blade Runner, that 1982 modern classic starring Harrison Ford in a neo-Noir tale of android intrigue set in a dystopian future Los Angeles. Scott signed on to direct a new Blade Runner film, but pretty much everything else about the project, including characters, casting, and whether or not it's a prequel or a sequel, is yet unknown.


SEPTEMBER: THE BOOK OF MORMON TO SOMEDAY FOLLOW SOUTH PARK AND TEAM AMERICA

Just a couple of months after their Broadway play The Book of Mormon was the big winner at this year's Tony Awards, Trey Parker and Matt Stone answered the next inevitable question with something like "someday, sure." No definitive timeline or schedule (except "in several years") was given, but that's not really surprising anyway, given how busy Parker and Stone are likely to remain until at least 2013 with South Park. In addition to recognizing the continuing popularity of pretty much everything that Parker and Stone work on, it's also worth mentioning that September was sort of a slow news month in the film business this year. Well, it's true!

OCTOBER: THE INTERNATIONAL MOURNING OF STEVE JOBS LEADS TO AN INEVITABLE BIOPIC

Osama bin Laden wasn't the only celebrity in 2011 whose death was very closely followed by news of a related movie project. In the case of Steve Jobs, the center of attention was the biography by Walter Isaacson, which Jobs himself was actively involved in getting ready for publication in the final months of his life. Sony Pictures, the studio which had recent success with a similar movie in the form of The Social Network, was the studio that eventually acquired the rights to the book. The connections to The Social Network continued recently with the news that Aaron Sorkin is also considering signing on to adapt the script for the Steve Jobs movie. As with The Social Network, there is a strong chance that, rather than a full biopic, the Steve Jobs movie might only address a key moment in his story, or at most, just a few of those events (which include the Macintosh, the IPod, the IPhone and the IPad).


NOVEMBER: ...AND THE AWARD FOR MOST SURPRISING REVIVAL OF A FRANCHISE GOES TO: PLANET OF THE APES

In annual retrospectives, the movies that are sometimes more likely to be remembered as defining the year are those films that seemed to come out of left field and surprise us all. In 2011, one movie that did that both critically and financially was also a dreaded "reboot" of a once popular franchise: Rise of the Planet of the Apes. In November, we learned of confirmation that 20th Century Fox is indeed planning on continuing the prequel story introduced in that film, with motion-capture star Andy Serkis and the film's director Rupert Wyatt both signed for a sequel. What we don't yet know is exactly what the next film will be about (though it's easy to guess), or when 20th Century Fox might be able to get it produced.


DECEMBER: THE LONG-AWAITED ENDER'S GAME MOVIE HAS AN ALL STAR CAST

Every week, one of the most debated subjects by commenters and readers of the Weekly Ketchup is the classification of news stories as either "Fresh Developments" or "Rotten Ideas." In 2011, the long-in-development adaptation of Orson Scott Card's popular science fiction novel Ender's Game has mostly been labeled as a "Rotten Idea" for one reason: Ender's Game is being directed by Gavin Hood (X-Men Origins: Wolverine). However awful Hood's last movie might have been, however, the question lingers as to whether there is anything that could ever reverse that decision, and earn an Ender's Game news story the "Fresh Development" label. The answer has come in recent weeks in the form of the casting, which continues to surprise. Asa Butterfield, who will play the title character, has now been joined officially by his Hugo costar Ben Kingsley, as well as Harrison Ford, Abigail Breslin (Little Miss Sunshine) and Hailee Steinfeld (True Grit). Individually, the "Rotten" legacy of X-Men Origins: Wolverine remained the dominant issue, but with all of them together now, Ender's Game has at least temporarily earned the year-ending distinction of being a Fresh Develoment.

And with that, we conclude the first half of the Yearly Ketchup. Come back next week for the Most Rotten Ideas of 2011!

Source: http://www.rottentomatoes.com/m/1924192/news/1924192/

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Timeline on Iran bomb narrows, but barely (Reuters)

WASHINGTON (Reuters) ? How long would Iran need to develop a nuclear weapon if its leaders decided to build one?

Defense Secretary Leon Panetta thinks it could take just under a year, an ever so slightly more narrow timeline than the one-year minimum his predecessor, Robert Gates, put forward.

But nuclear experts are skeptical Tehran could move that quickly and a Pentagon spokesman acknowledged on Tuesday he was not aware of any new intelligence driving Panetta's latest remarks, which aired on U.S. television on Monday evening.

Asked whether Iran could have a nuclear weapon in 2012, Panetta told CBS News: "It would probably be about a year before they can do it. Perhaps a little less."

Again, that is if Iran decides to build a bomb - a decision U.S. officials do not believe its leadership has taken. Iran says its nuclear program is entirely for peaceful purposes.

Panetta warned that if Iran had secret enrichment sites U.S. intelligence was unaware of, the timeline could shrink.

Hans Kristensen, director of the nuclear information project at the Federation of American Scientists, described Panetta's projection as unlikely.

"It's too short a timeline," Kristensen said, adding Iran would need more time to enrich its uranium to weapons grade and then build a working nuclear device.

"I think we're talking about a few years away if they decided" to build a weapon, he added, cautioning that he did not have access to any classified intelligence.

Panetta's remarks come at a moment of intense speculation about whether Israel, which sees a nuclear-armed Iran as an existential threat, may be moving closer to military action to halt a program it says is aimed at building an atomic bomb.

Captain John Kirby, a Pentagon spokesman, noted Panetta told CBS the nuclear weaponization process "often takes longer than people usually anticipate."

Pentagon officials, including Panetta's predecessor, have usually described the window as between one and three years.

"This idea that they could be, once they make a decision, a year or more away is not a new idea," Kirby said, even as he acknowledged Panetta's remarks indicated Tehran could move forward in potentially less than a year.

The United States is advocating sanctions and diplomatic pressure to isolate Iran over its nuclear program.

Panetta has repeatedly warned about unintended consequences of a military strike on Iran, including fallout to the global economy and likely retaliation against U.S. forces in the region.

He has also warned it would only delay, not derail, the nuclear program and could trigger a backlash in Iran that could bolster its leaders.

Kirby stressed that Panetta's views on the dangers of a strike were unchanged.

Still, in the interview, Panetta renewed the U.S. position that a nuclear-armed Iran was unacceptable. He used strong language, saying it was a "red line for us and that's a red line, obviously, for the Israelis."

"If we have to do it, we will deal with it," he said. Asked whether he meant military steps, Panetta replied: "There are no options off the table."

(Reporting By Phil Stewart; Editing by John O'Callaghan)

Source: http://us.rd.yahoo.com/dailynews/rss/iran/*http%3A//news.yahoo.com/s/nm/20111220/pl_nm/us_usa_iran_panetta

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Thursday, December 22, 2011

00-who? Daniel Craig excels away from Bond (AP)

NEW YORK ? The time off from James Bond has been very good to Daniel Craig.

In the three years since the release of "Quantum of Solace," Craig has made his Broadway debut ("A Steady Rain"); starred in the World War II-era tale of Jewish rebellion, "Defiance"; joined up with Steven Spielberg again ("The Adventures of Tintin," following their earlier collaboration in "Munich"); and starred in the summer blockbuster "Cowboys & Aliens." Now, he's adding yet another major franchise to his plate, with David Fincher's remake of "The Girl With the Dragon Tattoo."

At this point, the early misgivings of the "Blond Bond" seem laughable. Craig has emerged as one of the biggest British movie stars. More than that, he's already managed to prove that ? maybe more than any previous guardian of the tuxedoed spy ? he won't be pigeonholed by the role. Craig has not just grown into Bond, but, perhaps, beyond it.

"It's a very fortunate time for me at the moment," Craig said in a recent interview. "So I'm just trying to grab it with both hands."

Though the 43-year-old actor is known for being careful of his privacy, Craig, dressed casually in a jean jacket and jeans, comes across as relaxed. Self-deprecation is his fallback, and he often chortles sheepishly at his own wit. Though his screen presence is bleak and still, his manner is more loose and jocular. He meets a reporter in the lobby of a New York hotel for a recent interview, but Craig isn't visiting ? this is his hometown now.

"It was one of those decisions in my life where it was like going, `I want to be here.' Thankfully, I've got very good reasons," he says, presumably alluding to his wife Rachel Weisz and her 4-year-old son. Craig and Weisz (his co-star in Jim Sheridan's horror flick "Dream House," released earlier this year) wed privately in June. He has a teenage daughter from an early marriage.

Though Craig's personal life has become an increasing interest to tabloids, he's maintained a degree of elusiveness. Even in risible concepts such as "Cowboys and Aliens," he seems somehow above the fray, consistently projecting an air of professionalism and intellect.

Fincher calls him the "giant planetary body," of "The Girl With the Dragon Tattoo," around which the other characters (such as Rooney Mara's Lisbeth Salander) orbit. The director is clearly taken by Craig, whom he compares to Robert Mitchum and Kirk Douglas ? agile leading men with calm exteriors and smoldering eyes.

"He's obviously got a physical presence and a sense of menace," says Fincher. "But he has this ability to be available for the other actor. It's a selflessness. It's a movie star thing. It's knowing how to create a conduit for the audience.

"It's what he can do in here," Fincher says, gesturing a close-up frame.

In "The Girl With the Dragon Tattoo," Craig plays intrepid journalist Mikael Blomkvist, who teams up with Salander to investigate a long-dormant missing woman case that unravels the sordid history of a wealthy Swedish family. It is, of course, based on the best-selling novels of Stieg Larsson, whose books were previously adapted into a trio of Swedish-language movies.

If the film succeeds how Sony hopes it will, it will generate at least two more films ? meaning Craig could be simultaneously attached to two of big movie series. He's currently a third of the way through shooting his third Bond film, "Skyfall," directed by Sam Mendes (who previously directed Craig in "Road to Perdition"). His contract has an option for a fourth Bond film, but more than that seems likely. Bond producer Michael G. Wilson recently said he hopes to sign Craig for another five films and make him the longest running 007.

Asked about the prospect of carrying two franchises, Craig says jokingly, "I'm going to be very old. Botox is going to be in there.

"We'll see how `Dragon Tattoo' does, but, yes, of course, I'd love to come in and do (more)," he says. "This is something I really believe in and I want to put all of my effort in to. I've just got to find time to live and that's kind of the only thing that really matters now.

"It's not a problem. It's good stuff, I think," he pauses for a beat, then slyly reveals more doubt and a slight confession. "Talk to me in a year. ... I'm talking a good game. I'm trying my best."

Craig, the son of an art teacher and a pub landlord, knew he wanted to be an actor by age 6. At 16, he joined England's National Youth Theatre and later continued into drama school. He started attracting attention after his performance as Francis Bacon's lover in 1998's "Love Is the Devil: Study for a Portrait of Francis Bacon," an early hint of Craig's daring.

Hollywood first took notice after a respectable supporting performance alongside Angelina Jolie in "Lara Croft: Tomb Raider." He memorably starred in a couple of Roger Mitchell dramas seen more in the U.K., "Enduring Love" and "The Mother," but he also began a continuing run in thrillers ? a favorite genre ? that included "Road to Perdition" and "Layer Cake."

It was surely his smooth fit ? a steely, purposeful presence with a sinewy (and more than occasionally shirtless) frame ? in such films that won him the role of Bond, which he began in 2006's "Casino Royale." The film, one of the most acclaimed in the series, restarted Bond, turning him into a more realistic, brooding and post-modern figure.

Before undertaking the 007 mantle, Craig made his peace with the possibility of being pigeonholed.

"In my head, I very clearly said to myself, `If it does, it does,'" says Craig. "There's nothing you can do about it. And there's no shame in that, for Christ's sake."

2008's "Quantum of Solace," directed by Marc Forster, was marred by the writers' strike. The film went into production with what Craig calls "a third of a script," which he and Forster had to attempt to fill in. On "Skyfall," more focus was put on the screenplay to avoid such a situation. He says he's currently "incredibly happy" about where he is with Bond, and eager for a new installment that returns some familiar elements.

But finding his equilibrium away from Bond took some adjustment. Craig acknowledges that he initially looked for "roles that were diametrically opposed" before learning he ultimately had to rely on his gut. "The Girl With the Dragon Tattoo" ? European, stylish and lethal ? might not have qualified under the older rubric. But Craig can't say no to a good, spine-chilling potboiler.

"I just wanted to be as natural as possible," he says of Blomkvist. "I wanted the audience to just go, `OK,' so the thriller thing could happen. Without that, no one is in danger. You need to be doing the real thing every time, and then hopefully the audience is taken in by it. We're trying to con them, obviously, but con them in the nicest way possible."

Source: http://us.rd.yahoo.com/dailynews/rss/entertainment/*http%3A//news.yahoo.com/s/ap/20111221/ap_en_ot/us_film_daniel_craig

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Sunday, December 18, 2011

Apple launches iPhone 4S in 21 more countries, but pricey in Brazil (Digital Trends)

Apple-iPhone-4SThe iPhone 4S continues its march across the globe with Apple launching the device in 21 more countries on Friday.

Though no official word has come from the Cupertino company regarding precisely which countries these are, MacRumors has taken the time to piece together various bits of information to come up with a definitive list: Bahrain, Brazil, Chile, Egypt, Israel, Jordan, Kuwait, Malaysia, Morocco, Peru, the Philippines, Qatar, Russia, Saudi Arabia, South Africa, Taiwan, Thailand, Tunisia, Turkey, United Arab Emirates, and Vietnam.

As you might expect, prices for the popular smartphone vary enormously. At R$2599 (US$1405) for the 16GB model, Brazil appears to take the award for the most expensive iPhone 4S in the world ? thanks to high import duties on such devices. The 64GB model will set you back a wallet-busting R$3415 ($1845).

The phone first launched on October 14 in seven countries ? the US, Canada, Australia, France, Germany, Japan, and the UK. Since then it?s been gradually rolling out the device to more and more markets, with yesterday?s launch bringing it to consumers in around 60 countries in all.

At launch in October, the iPhone 4S reportedly flew off the shelves, selling somewhere in the region of four million units in its first 72 hours. And last month it emerged that US carriers were unable to keep up with demand for the new smartphone.

With the 4S now available in 21 more countries from today, including the two enormous markets of Brazil and Russia, Apple can confidently look forward to some healthy financial figures for the current quarter, which will of course include holiday season sales.

This article was originally posted on Digital Trends

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Source: http://us.rd.yahoo.com/dailynews/rss/applecomputer/*http%3A//news.yahoo.com/s/digitaltrends/20111216/tc_digitaltrends/applelaunchesiphone4sin21morecountriesbutpriceyinbrazil

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In Cuba property thaw, new hope for a decayed icon (AP)

HAVANA ? Along Havana's northern coastline, storms that roll down from the north send waves crashing against the concrete seawall, drenching vintage cars and kids playing games of chicken with the salty spray.

Fisherman toss their lines into the warm waters, shirtless men play dominoes on card tables, and throngs of young people gather on weekend nights to laugh, flirt and sip cheap rum.

This is the achingly beautiful and most instantly recognizable part of Havana's cityscape: the Malecon seafront boulevard, with its curlicue lampposts and pastel buildings rising into an azure sky.

Just about anywhere else in the world, it would be a playground for the wealthy, diners in four-star restaurants and tourists willing to spend hundreds of dollars a night for a million-dollar view.

But along the Malecon, many buildings are dank, labyrinthine tenements bursting beyond capacity, plagued by mold and reeking of backed-up sewer drains. Paint peels away from plaster, and the saline air rusts iron bars to dust. Some buildings have collapsed entirely, their propped-up facades testimony to a more dignified architectural era.

Now, for the first time since the 1959 revolution, a new law that permits the sale of real estate has transformed these buildings into extremely valuable properties. Another new law that allows more people to go into business for themselves has entrepreneurs setting up shop and talking up the future. And a multimillion-dollar revitalization project is marching down the street improving lighting, sidewalks and drainage.

The year has seen some remarkable first steps toward a new Cuban economic model, including the sacrificing of a number of Marxism's sacred cows. The state is still firmly in control of all key sectors, from energy and manufacturing to health care and education, but increasingly people are allowed to engage in a small measure of private enterprise. Officials say the changes are irreversible, and this is the last chance to save the economy.

Yet Cubans will tell you that change comes slowly on the island. Strict controls on foreign investment and property ownership mean there's precious little money to bankroll a capitalist revival. Even some Malecon denizens who embrace the reforms see a long haul ahead.

"It's not that I see the future as black, more like I'm seeing a little spark from someone 3 kilometers away who lit a match," said Jose Luis Leal Ordonez, the proprietor of a modest snack shop."But it's a match, not a lantern."

Leal's block, the first one along the promenade, has offered a front row seat to five decades of Cuba under Fidel Castro. The residents of Malecon 1 to 33 have watched the powerful forces of revolution play out beneath their balconies, and today they're bracing for yet another act as Castro's younger brother Raul turns a half-century of Communist dogma on its ear.

___

Given that Cuba's national identity has been inextricably bound up with its powerful neighbor 150 kilometers (90 miles) to the north, it is perhaps fitting that the Malecon is the legacy of a "Yanqui."

The year was 1900 and the country was under U.S. control following the Spanish-American War. Governor General Leonard Wood, who commanded the Rough Riders during the war with friend Teddy Roosevelt as his No. 2, launched a public works program to clean up unsanitary conditions and stimulate the economy. A key element was the Malecon.

At that time Havana ended about a block from the sea, separated from the waves by craggy rock. Raw sewage seeped into the bay nearby, so fishermen and bathers avoided this part of the waterfront. Only later would high-rise hotels and casinos spring up to make the Malecon a world-famous tourism draw.

For those early American occupiers, "The idea was to create a maritime drive so the city, which until now had its back to the sea, would begin to face the ocean," said architect Abel Esquivel. Since 1994, he has been working with the City Historian's office to restore the crumbling Malecon.

As the boulevard and promenade took shape, buildings sprang up on this block. One of the first was a three-story boarding house for singles and childless couples who occupied 12 apartments.

Today those have been subdivided horizontally and vertically, again and again, to take advantage of every last inch of space, and some 70 families live crammed into every nook and cranny.

Leal runs his cafeteria in the home where he was born 46 years ago, at the dark crux of an interior passageway. It caters mostly to neighbors and goes unnoticed by tourists on the sun-drenched walk outside.

A lifelong supporter of the revolution, Leal is grateful for the opportunity to live rent-free and earn two master's degrees on the state's dime. Still, after years of frustration working for dysfunctional government bureacracies, he quit his state job. He opened his snack shop May 1, and already it brings more income than before, enough even for his daughter's upcoming "quinceanera," her coming-of-age 15th birthday party.

He is one of the people on this block who is buying into Castro's entrepreneurial challenge.

Another is Omar Torres, who operates a private restaurant known as a "paladar" on a second-story terrace with sea and skyline views. He praised the government for lifting a ban on the serving of lobster and steak and allowing him to more than quadruple the number of diners he can seat.

Downstairs, an artist runs an independent gallery selling paintings of "Che" Guevara and cityscapes to tourists. Although he doesn't own the house, he's so confident in the future that he's using the income to remodel his rental.

Elsewhere folks are letting out rooms to travelers, and newly licensed street vendors are now legally peddling peanuts in tightly wrapped paper cones.

"Cubans dream of truly feeling like masters of their own destiny, for the state not to interfere in personal matters," Leal said. "Until now the state told you that you couldn't even sell your home."

___

From its early days, the Malecon was a place to see and be seen, to celebrate a success, drown a sorrow or woo a sweetheart. By the 1920s it was a favorite strip for middle-class Cubans who motored up and down to show off their vehicles.

Havana developed without a strong central plan or dominant core, and the Malecon became one of its most important communal spaces, said historian Daniel Rodriguez, a Cuban-American researcher at New York University.

"I think the closest thing Havana has to an urban center is this long seawall," Rodriguez said. "It's a long, ribbony main square."

Today the concrete promenade stretches 6 kilometers (4 miles) from the harbor to the Almendares River, the last section completed in 1958 under strongman Fulgencio Batista.

Those were heady times, when the city's nightclubs pulsed with a mambo beat and mafia casinos on the Malecon drew planeloads of American tourists. But their days were numbered.

The following January, the young rebel Fidel Castro marched triumphantly into Havana and in short order began seizing mansions and apartment buildings and redistributing them to the poor, triggering a tectonic shift in housing as well as the rest of the economy and society.

Castro declared private real estate incompatible with the revolution's ideals. "For the bourgeoisie," he said, things like "country, society, liberty, family and humanity have always been tied to a single concept: private property."

___

In a country where everyone is guaranteed a place to live, millions are jammed into dilapidated, multigenerational homes. The government is landlord to vast ranks of tenants who pay nothing or a nominal rent of around $2 a month. Sapped of any sense of ownership, some cannibalized the old buildings, ripping out wood, cinderblocks and decorative tiles to use or sell. That, combined with the punishing climate, has stifled upkeep and hastened decay in the buildings on the Malecon.

One of them, the Hotel Surf, was a beauty when Griselia Valdes arrived here as an 18-year-old newlywed in 1963. The entryway was tiled in pink and black with white benches and a restaurant on the ground floor. The rooms even had air-conditioning.

The glass bricks that lined the front wall are long gone, demolished by big storms. A drainpipe dumps over a spider web of electrical wires hanging at eye level in a passageway, while rainwater filters through the walls and spills into the lobby. The elevator was taken out years ago, but with the motor left rusting at the top of the shaft, people fear it could come crashing down any day.

"Mostly it is us who have abused the building with the subdivisions, with the banging and the crashing," Valdes said. "From neglecting it, from indolence."

Jan Ochoa Barzaga, who lives in the hotel's basement, is pessimistic about how much Raul Castro's reforms can change things. The factory worker finds it very frustrating that his girlfriend, like many others in Cuba, received a free university education from a generous government, but is languishing in a low-paid job.

Ochoa Barzaga tried to make the sea passage off the island in 2009, but was caught and returned home. If he had another opportunity to leave, he wouldn't think long.

"If they opened it up again," said the 32-year-old. "I'd be out of here."

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The Malecon continued to serve as center-stage throughout Fidel Castro's rule, with the military conducting war games along the seawall during the 1960s after the failed Bay of Pigs invasion. In 2000 a flag-waving Castro personally led marches along the seawall to demand Cuban raft-boy Elian Gonzalez's return from the United States.

Four years earlier, with Cuba buckling under a severe economic crisis following the collapse of the Soviet Union, thousands marched through the streets with makeshift plywood and inner-tube rafts and set off from the Malecon in a desperate gamble to reach Florida. Many failed.

On Aug. 5 of that year, riotous protests erupted on the boulevard and surrounding streets that were likely the biggest challenge to Castro since he took power. Amid looting and dozens of arrests, Castro addressed the crowd from atop a military vehicle.

"We were witnesses to all that," said Torres, the private restaurant owner, who saw the multitudes from his balcony. "You began to reconsider the meaning that Fidel has for Cubans, because in a moment of chaos and uncertainty, his presence was something else. Even the rioters began shouting, 'Fidel! Fidel!'"

That image of a robust, charismatic father figure faded when illness forced him from power five years ago.

The future is left to Raul, who at 80, is five years younger than his brother. He has dropped one bombshell after another with his economic reforms. None caused more of a stir than the measure legalizing the real estate market.

There's no sign of an imminent gold rush along this block of the Malecon, or anywhere else. Few individuals hold title to these homes; most rent from the government. Meanwhile the new law contains protections against individual accumulation of property or wealth, and officials insist this is no wholesale embrace of capitalism.

"All these changes, necessary to update the economic model, aim to preserve socialism, strengthen it and make it truly irrevocable," Raul Castro said in December 2010.

There's also the question of money: Cuba has only a tiny middle class with the kind of coin to not only buy a seafront home but afford the maintenance needed to keep the corrosive air at bay. The new law bars anyone not a permanent resident from buying property, including exiles who still imagine a day when they might return.

For Jorge Sanguinetty, who grew up a few blocks from the Malecon and was an economist for central planning under Fidel Castro before fleeing in 1967, the history of the seawalk is personal.

"I was like Tom Sawyer or Huck Finn. I used to go fishing there, walking through the rocks. We could see the salt from the waves on our windows during the storms," Sanguinetty recalled, saying he still dreams about it more than 40 years later. "You have to see a sunset (on the) Malecon. They are absolutely sensational."

Sanguinetty, founder of the international development group DevTech Systems, is writing a book about potential redevelopment in Cuba and has followed the issue closely over the years. He said the same forces that caused the Malecon's decay also added to its charm.

"The stagnation of Havana had this unintended consequence: Even though many things have fallen apart and are no longer salvageable, Havana will remain very desirable because uncontrolled development didn't take place," he said by phone from his office in Miami. "So there are many jewels there architecturally, and the Malecon is one of the most beautiful jewels in the crown."

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When it comes to the Malecon, the City Historian's Office wields near-total control. A largely autonomous institution, it collects undisclosed millions of dollars each year from the hotels and tourist restaurants it runs in restored buildings, and plows a big chunk of that back into rehabilitating more. The office recently said it has more than 180 projects, on top of the hundreds already completed.

The result has been an architectural rebirth that's on display in the gleaming Spanish-American cultural center, a rescued former tenement next door to Leal's building. A few doors away is a near-total rehab with brand-new apartments upstairs from a state-run restaurant, a mixed-use model that could be repeated.

There are also reminders that money is tight. Residents here remember how in the early 2000s, at the site of the collapsed Hotel Miramar, a fancy hotel from 1902 where tuxedoed waiters once attended to a fashionable clientele, Fidel Castro and Chinese President Jiang Zemin laid the cornerstone for a $24 million hotel to be built with help from Beijing.

Construction mysteriously froze after just a few weeks. Today, bricks form a single uncompleted first story and a faded artistic rendering tacked to a fence depicts the glassy, hyper-modern structure that never got built.

Despite the decay and unfulfilled hopes, the residents say they live in a magical place that creates a sense of community that doesn't exist even one block inland.

"I'm right on what we call the balcony of the city," said Leal, the cafeteria owner. "For me there's no place more sacred than where I live."

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Associated Press writer Laura Wides-Munoz in Miami contributed to this report.

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Peter Orsi can be reached at http://www.twitter.com/Peter(underscore)Orsi/

Source: http://us.rd.yahoo.com/dailynews/rss/world/*http%3A//news.yahoo.com/s/ap/20111218/ap_on_re_la_am_ca/cb_cuba_along_the_malecon

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